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초록
This paper establishes Deleuze ’ s philosophy of art as “ art that draws ” power and examines how art can realize the value of communication from this perspective. Deleuze develops Nietzsche ’ s concepts of power and the eternal return to present a new artistic viewpoint, asserting that art exists not merely to represent reality, but to create differences and generate new realities. Art reveals the invisible and sensory aspects of power, enabling a more fundamental form of communication through bodily experience and sensation, beyond conventional representational practices. Deleuze ’ s concept of power is understood not simply as physical or conscious but as a potential force arising from the interaction of various powers. This force plays a crucial role in creating new dimensions of communication in art. In particular, art emphasizes difference and change, with the body and sensation playing important roles in this process. Furthermore, art can be interpreted as a self-repetitive expression of power that is constantly changing and recreating itself through the concept of the eternal return. Through this, art is defined as a transversal mode of communication that transcends simple representation and sensorially communicates with the world and power.
키워드
- 제목
- 힘을 그리는 예술과 소통 - 들뢰즈의 감각과 영원회귀에 대한 사유
- 제목 (타언어)
- The Art of Drawing Force and Its Communication - Deleuze's Thought on Sensation and Eternal Return
- 저자
- 정희중
- 발행일
- 2025-03
- 유형
- Y
- 저널명
- 대동철학
- 권
- 110
- 페이지
- 221 ~ 250
- 언어
- KOR
- 출판사
- 대동철학회
- 발행국가
- 대한민국
- 분량
- 30 페이지
- ISSN
- P 1229-0750