태국 전통악기 분류 체계와 문화적 맥락 연구

초록

This study aims to conduct an in-depth analysis of the classification system and cultural context of traditional Thai musical instruments, thereby deepening the relatively limited academic understanding of these instruments in Korea, enhancing recognition of Southeast Asian music culture, and exploring the potential for connections with Korean traditional instruments and music education. The study first examines the historical development of Thai traditional music, dividing it into the Sukhothai, Ayutthaya, and Rattanakosin periods, and organizes its social functions and roles, methods of instrument production and transmission, and contemporary changes. It then presents a classification of Thai traditional instruments based on performance techniques, ensemble configurations, and traditional performance practices, and compares these with the internationally recognized HornbostelSachs system, identifying similarities and differences. The findings confirm that Thai traditional instruments are deeply rooted in the broader socio-cultural sphere, including history, rituals, performing arts, and dance, while retaining a distinctive nomenclature system and symbolism. Furthermore, contemporary transformations—such as their adaptation into performing arts, educational content, and cultural tourism resources—have contributed to enhancing their potential for international application. By illuminating the multi-layered value and contemporary significance of Thai traditional instruments, this study is expected to contribute to establishing an academic foundation for clarifying interrelationships among Asian traditional instruments from an intercultural perspective, as well as for developing multicultural music education and cultural exchange content.

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