“秦中形勝最堪誇，表裏山河足詠歌”— 朝鮮時代漢城八景組詩初探

초록

As an important type in the classification of capital poems in the Korean era, the Han Eight Scenic Series of poems has the highest number of related creators, longest creation time, obvious series formation, and greatest influence among ancient Korean Eight Scenic Poems that focus on the eight scenic spots “秦中形勝最堪誇，表裏山河足詠歌” 89 of various regions in Korea. Its academic value and significance in the study of Korean classical literature are self-evident. It is evident from this that the creative technique of borrowing books to write about Chinese scenery and things to sing praises to the Eight Scenic Spots of Seoul includes the highly recognized admiration for Chinese Han culture and the unprecedentedly high national consciousness of Korean literati in the Joseon Dynasty. It also reflects the political ideology of Confucianism’s “Wangdao politics(王道政治)” and the hopes and visions of Korean literati as rulers to pursue long-term peace and prosperity. The political color is strong, and the content of political education poetry and adaptation poetry is prominent. There are also many allusions in the poetry that involve Chinese historical celebrities and objects, all of which reflect the extensive influence of traditional Chinese culture and classical literature outside their country.

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