俛宇 郭鍾錫 賦世界 고찰

초록

Myeonwoo Kwak Jong-seok(俛宇 郭鍾錫, 1846-1919) left behind six Bu(賦). This paper intends to briefly explore it. Myeonwoo's Bu is generally presumed to have been created in his mid-20s and early 30s. However, the order of the editing of the wealth in the 俛宇集 does not match the order of creative age. The writer thinks this is quite a deliberate compilation. The basis is the title of the six works and the subject and content contained in them. Especially if you look at the title, it starts with entering virtue(德) and ends with completing virtue. It is a composition that sets the stage of 'the beginning and completion of learning' with virtue. In the middle of this composition, the core of "Shinmyeongsa(神明舍:A sacred and bright house)" or "Shimhak(心學: the study of the mind)" is placed. The ｢Ipdeokmunbu(入德門賦)｣ contains the concerns and passion of the youth who rediscovered Nammyeong(南冥) and burned their academic will. It contains thoughts on academic orientation. The ｢Chonlinbu(村隣賦)｣ expresses gratitude to the neighbors, but behind it is a concern about what "Virtue(德)" is. The ｢Chunwoobu(春雨賦)｣ sings thank you for the spring rain, but behind it is the meaning of inspiration through Dukjeong(德政: A politics that inspires the people). The ｢Shinmyeongsabu(神賦舍賦)｣ is this work based on Nammyeong's ｢Shinmyeongsado(神圖舍圖)｣. However, concepts that are not in Nammyeong's ｢Shinmyeongsado｣ appear or have been finely changed. He integrated the achievements of Neo-Confucianism that he has collected since Toegye and newly established it as his theory, and he recited it as a song. The ｢Sasangbu(沙上賦)｣ is a work that was built after returning to his hometown village. After academic search and compilation, he revealed that his place to stay was Simhak. The ｢Taebaekjidukbu(泰伯至德賦)｣ contemplates the life of a scholar who is compatible with loyalty and filial piety, and sings of confidence and practice in it. In his early 20s, Myeonwoo studied Zhu Xi Studies and Hoijae Yi Eonjeok. In his mid-20s, he studied various theories of Neo-Confucianism, including Toegye Studies. Finally, in his late 20s, he paid new attention to Nammyeong's psychology and made it the most important element and final destination of his studies. The six works show the process of agonizing over the composition. With a raised writer's consciousness, he sang the logic and emotion of Dohak in the genre of Bu(賦). It is another brilliant achievement of Myeonwoo in the history of Korean literature.

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