마스턴의 <네덜란드 매춘부>(The Dutch Courtesan)에 재현된 사랑의 재조명

초록

John Marston’s The Dutch Courtesan is a satirical play that critiques the double standards of seventeenth-century society regarding courtesans and exposes its deeply entrenched patriarchal structure. Through sharp comedic elements, Marston highlights the absurdities and hypocrisies of contemporary social norms. This critique has been revisited and reinterpreted in modern contexts, most notably in the 2013 digital production by the University of York. In the play, Franceschina, though abandoned and seeking revenge, is not merely portrayed as a victim but as a highly intelligent and proactive figure who strategically manipulates her circumstances. In contrast, Crispinella serves as a vocal critic of male hypocrisy and an advocate for sexual agency, offering a progressive perspective on love and marriage. Marston’s use of satire thus functions as a vehicle for interrogating social oppression, and the play continues to resonate today through contemporary performances and digital remediation.

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