김소월 후기 시의 화자 변이 양상 탐색-라캉의 주체화 관점으로

초록

Kim So-wol is a representative poet of the 1920s who developed his poetic world with traditional sensibility. This is because research on Kim So-wol has focused on 『Azaleas』 and 『Sowol Poetry』. Both of these books of poems were published under the influence of Kim Eok. This study tries to deviate from the mainstream of Kim So-wol research. I will focus his poetry in the 1930s. The poems of Kim So-wol that we are familiar with are in the 1920s. His poems in the 1920s established him as a folk song poet. However, in ｢Sihon｣, which contains Kim So-wol’s theory of poetry, we can see that Kim So-wol didn’t want to follow the path of a folk song poet that Kim Eok had hoped for. After the publication of the ｢Sihon｣, Kim So-wol was unable to publish poetry for several years due to the conflict with Kim Eok. Kim So-wol’s desire to become a “poet”, not a folk son poet, remains intact in the poems he presented in the 1930s. The purpose of this study is to verify that the utterances of Kim So-wol’s poetic narrators in the 1930s are based on the process of subjectivation of the poet Kim So-wol. From Lacan’s perspective, Kim So-wol in the 1920s shows the appearance of a neurotic subject subordinate to “The Name of Father”, Kim Eok. On the other hand, his poems in the 1930s are in line with Joyce’s ‘writing as sinthome’, overcoming absence of the father and creating his own name. If the aesthetic value of poetry is not limited to literary studies, the uniqueness that appears in Kim So-wol’s poems in the 1930s shows his uniqueness as a separated subject. This is what this study aims to develop.

키워드