Mies van der Rohe “건축술(Baukunst)”의 현상학적 특성 분석 - 재료의 감각 지각 및 인지를 중심으로 -

초록

Purpose: Mies van der Rohe is one of the most important figures in modernist architecture He emphasized the poetic experience induced in the process of material construction(bauen). This study is to identify the phenomenological characters in the Mies’s spaces according to his concept of “Building Art(Baukunst). It is specifically focused on how sensational perception/cognition occurs. Method: Mies’s texts are selected with literature and images to identify ideas and usage of material properties. The research was processed by identifying the meaning of Baukunst and its relation with material, and then examining the sensational aspects of perception and cognition in Mies’s build works at structural/ non-bearing member. Result: (1) The phenomenological characteristics of Mies van der Rohe are divided into structural members and non-bearing members, especially non-bearing walls. (2) He tried to realize the objective and absolute essence of architecture in structural members. Accordingly, the perceptual elements of structural members in his architecture utilize traditional and customary perceptual qualitative elements, that is, the physical properties of materials we so-called stereotypes. This is similar to Merleau-Ponty's “perception before knowledge” and is applied to process for contemporary phenomenological architecture. (3) Non-bearing walls allow users to experience multi-layered properties different from the original properties. This was the result of deep contemplation and observation of the physical properties of stone and glass. The non-bearing walls that appear in Mies' space maximize the value of the open plan and contribute to expanding it to the mental realm.

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