木齋 洪汝河 輓詩 연구

초록

Everyone is born and dies. Birth that signifies the blessing of life and death that signifies the end of life are always coexisting in our lives. Accordingly, our ancestors expressed their feelings and consciousness by putting the sublime consciousness of death into various literary genres. One of the representative genres that sublimated death aesthetically is Man-si(輓詩), and in this paper, I would like to examine the objects and creative aspects that he built through Man-si(輓詩) of the 17th-century timber Hong yeo-ha(洪汝河), as well as the emotions and consciousness directions flowing in it. Hong Yeo-ha thoroughly wrote Man-si, focusing on the characters of the Toe-gye School(退溪學派) Yeongnamnamin(嶺南南人) who are related to her. Focusing on the relationship, he melted his sincere feelings and emotions into his work, focusing on the experiences and memories he shared with them. In terms of formality, it was created in a long form centered on standardized Geunche-si(近體詩) to reverently equip not only the inner truth but also the external ceremony. As for the expression aspect of Man-si, it was confirmed that he created it by composing the aspect slightly differently depending on the object of creation of Man-si. He wanted to praise the deceased, maintain his memory for a long time, and return it to himself by stating direct and specific facts to subjects who have a story to remember because they have a clear relationship with him, and on the contrary, he used various materials from the allusion(典故) and Use things(用事) to praise the dead and further heighten his sad feelings. In addition, only his feelings of sadness and loss were directly and calmly captured for very close objects. The emotion and consciousness orientation revealed in Hong Yeo-ha's Man-si attempted to unite Yeongnamnamin by using their achievements and virtues as a function to give pride and pride to writers in the same region. In addition, the emotion of deep loss and indescribable sadness was expressed in the Man-si he wrote after the death of his friend. In addition, the Man-si he gave his family were full of affection and sorrow for the deceased, and I could feel comfort, affection, ease, and warmth while appreciating poetry.

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